Tuesday, September 01, 2009

The life of Chinese Silver Symbolic Locks -- a collector's view
Yi Wang

In the March of 1928, when my grandpa was 100 days (yes, days) old, the family held a big celebration party. The whole village came. Hundreds of silver symbolic locks covered a large table. Those were popular gifts at that time.

Chinese people treasure silver; because China had been short of silver supply in history. While silver coins were used on a daily basis in ancient Europe and western Asia, Chinese people predominantly used bronze, brass and even iron coins. Silver were only circulated among rich people and nobles before Ming dynasty. Possessing silverware had been a dream of ordinary farmers for thousands of years. Starting from about 16th century in Ming dynasty, as more silver came from Japan, Europe and South America through trade, silver finally reached the hands of Chinese farmers. Women in kitchen started to wear silver hairpins. They felt richer, although they were still working in the kitchen.

Silver symbolic locks became popular in a much later period, in my view not until early 1800s, when adults had quite some silver to spend. Symbolic locks were big. They were hung on the neck of children, who not care about those dangles as well as their moms did. I did not find any reliable recording of silver locks before 19th century. Some records were likely to be necklaces with fancy shaped pendants instead of symbolic locks.

The earliest item I have with reliable year inscription is one made in 1858 (8th year of Xian Feng Emperor)(Figure 1). This lock is actually a copper one with a layer of silver, which is not an uncommon case. From the enlarged image, we can see that the silver layer worn out after the inscription was punched in. Also, the theme displayed on the lock appeared very often before mid-Qing dynasty decoration arts and became less popular afterward. Therefore the date of this lock is reliable. Can it be used to judge the time of other symbolic locks? It’s hard; because the symbolic lock culture quickly spread into every city of this huge land, and diverted into hundreds of local styles in less than fifty years. By looking at the style of a lock, experienced collectors and dealers can tell which province, even which city, it was produced (Figure 2 and Figure 3 are two examples). As for era, the best one could tell is either late Qing or Republic period, which spans less than 200 years.

The life of silver symbolic lock culture is short. It was officially terminated by the Cultural Revolution, starting from 1966. But it was dying anyway, as the silver period had passed.

Figure 1
Obverse: Alta table with ume, water lily, vase, book, fan, etc.
Reverse: Plain
Zhejiang or Jiangsu province, Qing Dynasty 8th year of Xian Feng Emperor 1858 Qing


Figure 2
Obverse: Squirrel and grapes
Reverse: Chang Ming Bai Sui
Hebei Province, probably Qing Dynasty


Figure 3
Obverse: Guan Yu (God of Righteousness and
Reverse: Three of the eight immortals
Fujian Province, probably Qing Dynasty


To see part of my collection:
http://bbs.sssc.cn/viewthread.php?tid=274201&extra=page%3D1

Friday, September 21, 2007

Research和搞收藏有很多同理之处,比如要融入community,比如要消息灵通,对整个行业有广泛的了解,比如要有自己的专项。我还是偏于闭塞,要改革开放。

Wednesday, August 08, 2007

童心是一种生活态度和习惯,做自己喜欢的事,不为将来而担忧。青壮年的人,越思进取压力越大,因此不可无童心做调节。我搞收藏本为还我童心,如今用市场价格计算藏品,适得其反了。要改要改!

Monday, August 06, 2007

We now communiate on the web using webcams and youtubes. Imagine three or ten people from different locations are collaborating with each other. How can one aware the others' spatial location and social background? How can we understand their activities as a whole? Isn't it interesting to integrate geographic and a wide variety of context information with the video? Look at the prototype we created. It'll appear in IEEE Visualization Conference 2007.(http://vis.computer.org/vis2007/)

http://www.youtube.com/watch?v=itQwvisw3_A

Monday, July 30, 2007

中国泉友集希腊罗马币困难重重,其中之一是缺乏书籍资料,对价格行情不了解。中文书籍短期之内不会出现太多,我想试着翻译可惜没有时间。但现在是网络时代,获得知识的成本极大的降低了。网上的数据库有丰富的图文资料和成交纪录,其齐全程度胜过最著名的RIC(罗马帝国铸币),BMC(大不列颠博物馆钱币目录)等专著。下面是两个最齐全的数据库网址,希望对大家有用,可惜的是全是英文的。
www.wildwinds.com/coins, 这个数据库的希腊罗马币版别最齐全,分希腊,罗马,拜占庭,哥特,英国几部分,可用多种方式检索。可惜的是里面的钱币大多数品相很差。大多数有成交记录。
www.coinarchives.com/,这个数据库分古代币和世界币,里面的钱币都是品相比较好的,而且绝大多数有成交记录。最近发现他的数据库里连萨珊,贵霜等币都有。
中国泉友集中国古钱的品相要求主要有三点,一钱体完整,二文字清晰,三包浆锈色好。在这几点上丝路币,希腊罗马币和中国币要求是一致的。但丝路币和希腊罗马币多为打制的,而且题材,材料工艺不同,因此判断品相时侧重点有不同。下面几点是我总结的欧美收藏者对希腊罗马币的品相要求,与国内相同之处不再赘述:
1.居中问题,由于打制出来的钱币一般都会有不同程度的错位,导致部分文字和图案缺失,因此居中良好的钱币会贵很多。中国古钱虽然也常出现错范,但正面一般没问题。
2.版模问题,西方币的模子是手工雕的,而且在使用过程中有磨损,模裂等问题,因此版制的精美的,艺术性好的价格要高。
3.技术品相定级,好多西方币是多层次高浮雕,细节易磨损,因此不同品相之间的价格差距比中国古钱大,VF(美品)和EF(极美)差四五倍是正常的。
集币贵在过程,不同人有不同的玩法,我则比较喜欢广泛的涉猎。古钱币非常系统的的记载了三千多年人类文明的发展,它又是大家都买得起的古物,所以这么多人喜欢古钱。广泛的涉猎可以帮助我们了解中国以外各国的历史,了解央视国际新闻后面更深层的东西。当然现在网络资源这么丰富,好多精美图片和系统的介绍,并不一定要什么钱币都买。但是我感觉当我买到一个钱币实物,上网和查书把它搞懂的过程是最有意思的,只看书不摸实物还是不一样。所以我舍得花一部分钱去买我不准备系统收集的钱币,花钱买乐,是种精神消费。

Sunday, July 29, 2007

30岁的我,收集古钱币这个爱好伴随我走了近20年。在国内当然主要集中国古钱,但偶尔也买点新奇的品种,比如贵霜,蒙古汗国等丝路币。大约2001-2003年我在北京工作,那时经常在床头的灯光下,翻看李铁生的《古希腊罗马币鉴赏》。2003年来美国上学,把这本书和孙仲汇的《简明钱币词典》一起放到了行李箱里。刚来时就在网上搜到一些西方古钱网站,象美国古典钱币公司的www.cngcoins.com, 众多古钱商的门户网站www.vcoin.com,在这些地方看到了好多精美图片。经常去一个叫www.forumancientcoins.com/board/index.php的论坛逛逛,这里气氛很融洽,很多人热心又彬彬有礼。根据大家建议买了Wayne G. Sayles写的Ancient Coin Collecting 一书,看了好多遍,对西方古币的收集有了点初步认识。后来参加了几次钱币交流会,才摸到了西方古钱实物。尝试着买了几枚作为集藏的开始。
我最喜欢大型精美的希腊币,虽然大都太贵买不起。大多数罗马币的玩家追求的是各个皇帝发行的系列币,集希腊币的往往不受系列的约束,就是集漂亮的。希腊币上高浮雕的图案,谁都能欣赏,不象中国古钱需要语言书法等背景,老外很难玩进去。但希腊币一样有丰富的内涵:图案背后的神话传说,发行时期的政治经济和战争,雕模者的艺术流派,都吸引人深入探究。和我国春秋战国币确有几分相像,年代也相近。我感觉中国集希腊币的人还很少,但随着中国古钱价格不断上升,逐渐会与西方古钱价格具有可比性,西方古币也会流入中国市场。另一方面我们的文化视野在逐渐开阔,会把西方的美和东方的美放在一起欣赏。

Thursday, November 17, 2005

鹧鸪天
周末秋游归来后作, 11/8/2005 Blacksburg VA

黑堡秋来色满梢
凭楼更羡遥山好
且放白驹随风去
换乘黄叶顺水漂
绕枫山
过小桥
坡上人家贪秋韵
不是重阳亦登高